The Absolute Evil of Iago in Shakespeares Othello Essays -- Essays on

The despotic Evil of Iago in Othello What marks consummate scoundrely is the willingness to be suddenly black-to have no qualms ab proscribed being diabolical and no strains of valet de chambre ethics. Because feeling for another leads one to experience guilt, even an iota of empathy is a character flaw that will lead to the downfall of a villain. To succeed, the villain needs to emulate the character Iago in Othello, who consistently works his evil throughout the whole play and does not slip until the end, when there is entirely no way he can turn the situation to his advantage. Iago is a model for the ultimate villain because he operates on a questionable level of morality, such that he never doubts his actions, however diabolical the actions front to the audience. The rational person is capable of this emulation, for rationality is the ability to reason out a crude and yet coherent order a new order of values and beliefs that constitute his own system of mores. Convin ced of this self-devised system, the villain is able to convincingly impose it upon others and therefore, to manipulate them towards advancing his cause. Reason likewise empowers the villain with an aptitude for discerning an order in the midst of topsy-turvyness and turning adversity into good fortune. With a self-defined strand of logic and reasoning, the villain fashions a encrypt of ethics and morality fitting to his purposes, which makes his malice tolerable to him. The rational chief can utilise logic and reasoning to arrange values and beliefs in an order that is credible, and therefore irrefutable to the self. Reasonable, therefore believable and irrefutable-this customised moral code is convincing, and from this conviction, the villain will not be bothered by the morality ... ..., Inc., n. d. Fergusson, Francis. Macbeth as the Imitation of an Action. Shakespeare The Tragedies. A Collectiion of Critical Essays. Alfred Harbage, ed. Englewwod Cliffs, NJ Prentice-Hall, Inc ., 1964. Frye, Northrop. Fools of Time Studies in Shakespearean Tragedy. Toronto, Canada University of Toronto Press, 1967. Greenblatt, Stephen. Introduction to Macbeth. The Norton Shakespeare. New York Norton, 1997. 2555-63. Knights, L.C. Macbeth. Shakespeare The Tragedies. A Collectiion of Critical Essays. Alfred Harbage, ed. Englewwod Cliffs, NJ Prentice-Hall, Inc., 1964. Lamb, Charles. On the Tragedies of Shakespeare. N.p. n.p.. 1811. Rpt in Shakespearean Tragedy. Bratchell, D. F. New York, NY Routledge, 1990. Mack, Maynard. Everybodys Shakespeare Reflections Chiefly on the Tragedies. Lincoln, NB University of northeastward Press, 1993.