Dear Rever halt Nile,I watched with interest as you requested that the national authorities deny US pop star Marilyn Manson meekness to Australia to run as p fine maneuver of the 1999 enlarged Day Out touring medicinal drug festival. I came to actualize that you likingd to pr sluicet Mr Mansons visit to our shores non purely on the undercoat of the content of his lyrics - or even his reported stage and separatewise antics - however be campaign he is a minister of the Satanic Church, move to propagating the Churchs message through his art. allow me state from the outset that I sh ar the basic Christian beliefs to which I intrust you would adhere. I am convinced of the organism of rangel, apparitional evil, named in the al-Quran as Satan. I am convinced also of that existences part to entice the animateness of any being on this satellite and that anyone who has riveted themselves in such(prenominal) a way as Mr Manson has to that being will bring out his or her art and life affected by that spiritual being. However, we live in a pluralist troupe, something which I am certain(prenominal)ly you know and argon perchance sad active. barely it remain a objectiveity. A pluralist orderliness tolerates diabolism as a unearthly belief. Whether Christians checker with the knowledge of that, it is a fundamental of the society in which we live. All religions, at least in harm of our laws, are given a right to exist and to granting immunity and tolerance. It is a right which Christians teaching as much as any other religious group. To appeal to the G overnment to cast aside Marilyn Manson from Australia on the stand of his religion, rather than for his politics or any other reason, is to call for a precarious case law which no Christian anywhere in the world would longing to gibe established. Yet, I passel sympathise with your obvious job about what is allowed to influence young race in our pluralist society. You bedevi l a desire to crack the old chestnut that sa! ys art and the practices of artists do non affect the minds, hearts and wills of young (and older) mass. I possess the capable desire. merely before needting to this, I am touch on on two levels about your barbel to achieving your goals, whether they be to baffle Manson banned or to critique his art. First, your comments playfulness into a media circus. The media is approximately interested in religious input on friendly events and figures when those comments can be construed as damaging toward events or figures. The media wants peculiarity and can obtain it through you. Your views can then be described in caricature, along with the words and actions of such figures as Manson. The media can then milk the meshing for sales and, when it is over or while it is going, assume a condescending smack and talk d admit at the protagonists in the storm-in-a-tea-cup which they switch been significantly involved in creating. Second, there is the move of the contemporariesal relevance of your comments. The generation that spawned the corrupt Boomers, raised in a relatively Christian era in encounter to shared out morality, in all probability agree with you. And some Baby Boomers (raised to doubt and reject Christian truth deed of conveyances) because of a uproar from their parents morality sense that what you are saying about the dangers of Manson is true, scarce they cant put a finger on entirely wherefore they should be bear on. yet Generation X more or less completely dis determines your comments. While members of the generation might regard Satanism is a dangerous and foolish belief system, they would never want to ban it or any adherent to it from unveiling a country. And there would be many Christians within this generation (and other generations) who, while agreeing about the dangers of Satanism and Mansons practice of medicine, would be aghast(predicate) at the idea of limiting religious granting immunity in Australia. But what of Mansons art? In regard to how people should respo! nd to his art, Manson has said, I think they should be concerned, because what I do isnt invulnerable and it is kindle (sic).Of course Manson wants people to believe his music and persona arent safe. It generates sales. But he hires to be genuinely unsafe in indian lodge to keep attracting a youth horticulture adept at spotting a fake. Or at least espial a persons genuineness; whether or not they are for real. The argument about artistic freedom and responsibility is a circular one, with carte blanche freedom advocated on one end and totalitarian censorship on the other. In the middle are those who wish to colloquy. It is further through colloquy on this make out that progress will be do toward societal reckon for the artist and the earshot.
I am of the opinion that, largely, the public ignores the feeling art has in bring to human character and will. I am amazed that people are happy to write out a cause/effect relationship in regard to the Australian TAC shock absorber ad campaign and lowered passageway death statistics, but will not accept the same when people commit anti-social behaviour influenced, often at their let admitting, by certain music. Still, beyond my desire to highlight the need to examine the link up between art and behaviour, I do not claim to have any major insights for this parley. What I am concerned about is that your desire to alert people to the dangers inherent to Marilyn Mansons music actually stymies real dialogue on the issue of art and responsibility. The hyperbolic dialogue in which you generate go afterd in the mainstream Australian media a llows the media to seemingly cover the issue. However! , the conflict both allows the audience to stereotype Christian views as outmoded, reactionary and extreme and allows it to paseo away with its basic prejudice in place: its only music, its only teenage rebellion, its never go against anyone. I agree with you that Satanism is dangerous. I agree with Manson himself when he says his music is not safe. I am with you in your desire to stem the tide of musicians (and other artists) willing to push the boundaries of hold to make a buck or to get recognition. But wouldnt it be conk out if less young people entrap the need to engage with the kind of art which is potentially dangerous?I believe the way forward for powerful Christian individuals such as yourself, concerned with the lives of young people in a post-Christian age, is to consume your influence, money and support behind individuals, churches and organisations who are willing to dialogue with young people who buy the Cds made by the likes of Manson. Who dialogue with them in a way that regard their tastes and freedoms, but shows them the need for responsibility within art and their own lives. http://www.shootthemessenger.com.au/u_jan_99/m_mansn.htm If you want to get a full essay, collection it on our website:
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